Meanwhile…

I have just today nabbed a couple of what you proles refer to as “novels.” First up is The Etched City by K. J. Bishop, which was recommended to me by Goodreads after it caught me making googly eyes at China Mieville.

Next is Cory Doctrow’s Little Brother. All the cool kids seem to know who he is, so I thought I’d check it out.

(I also note that Master and Commander has been on the nightstand since June. I check in on it occasionally to make sure nothing happened while I was away.)

I have a couple of articles I’m intending to write for the Flash Fiction Chronicles, one about superheroes, and another about small apocalypses. Stay tuned!

I just read a couple of volume Is that I thought were pretty great.

First up was Four Eyes, by Joe Kelly and Max Fiumara. I’ve liked Joe Kelly’s stuff since the late ’90s, when he wrote a criminally overlooked run of Daredevil. More recently I’ve been reading his creator-owned stuff. (I can’t recall if I talked about I Kill Giants here, but if I didn’t you should check that out if you get a chance; it’s fantastic and touching piece of magical realism.)

Four Eyes is about a young man named Enrico, who lives in a 1930s New York where dragons are real and forced to fight in brutal, illegal dog-fight style matches while gamblers bet on them in a desperate attempt to alleviate their Depression woes.

If you need more than that I’m not sure why you’re even here. I enjoyed it quite a bit, and hope to see more. There’s a lot of potential in the setting, and the art is excellent. At the moment I think this is all there is, with the future of the series uncertain. But it works pretty well on its own, so if we never get any more I won’t feel like I’ve been left with a cliffhanger.

Next was Sweet Tooth, by Jeff Lemire. A post-apocalypse setting in which a plague has wiped out much of humanity, the story follows Gus, who is among a new breed of human-animal hybrids who are immune to the plague but hunted by surviving humans. This first volume hints at a lot more going on in the world than simple survival. Isolated for years from the harsh, shattered world, Gus is a voice of hope and innocence in a dark fairy tale.

Sweet Tooth is coming out regularly, so I’m looking forward to the next trade.

I generally don’t get too personal here, but I thought I’d chat a little about why I’ve been so absent lately. As this will likely be of interest to only a few of you, I’ll hide it after the jump. Continue reading

So my life has been all a tumble lately, apologies for the silence and lack of productivity. I just stopped by to point out this, an art show inspired by the works of China Mieville, which I thought was awesome.

I am particularly taken with the propaganda posters, which will likely soon take their place on my computer desktop.